Within the series Cleansing to a Brilliant White the artist incorporates disposable units to investigate conflicting ideologies, he layers and parallels a commercial competitive language to develop a form of communication that not only examines the influence on the human condition, but also translates to a language of human conflict.
I have returned to this work periodically and have struggled to covey its totality in text form, the work is complete as an installation and I must concede that some work is beyond explanation and is something that develops with academic and public engagement, a form of contributively contextual documentation.
