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Pseudonym: Charles Archie  

Title Randomly Embedded Misprint

Series No 001

Original Print 2.61 x 6.14in  on A4

Date 2013

By Ranjit Singh

Pseudonym: Charles Archie  

Title Randomly Embedded Misprint

Series No 002

Original Print 2.61 x 6.14in  on A4

Date 2013

By Ranjit Singh

Pseudonym: Charles Archie  

Title Randomly Embedded Misprint

Series No 003

Original Print 2.61 x 6.14in  on A4

Date 2013

By Ranjit Singh

Pseudonym: Charles Archie  

Title Randomly Embedded Misprint

Series No 004

Original Print 2.61 x 6.14in  on A4

Date 2013

By Ranjit Singh

Pseudonym: Charles Archie  

Title Randomly Embedded Misprint

Series No 005

Original Print 2.61 x 6.14in  on A4   

Date 2013

By Ranjit Singh

Page 2

Commodification Cycle 1996

Censored for the National Interest 2013

For the Love of Money 2013

Randomly Embedded Misprint 2013

Related works

Title Almost Entirely Satisfied

       Concept date 2004  

Almost Entirely Satisfied


The series entitled Almost Entirely Satisfied critically conveys the influence on the “production” of art.  The fine line between manufacturing and the authentic creative piece of art.  Almost Entirely Satisfied questions the issue, that specific art pieces are expected to have the flawless qualities of a mass produced product, it has become more than a question of presentation.  I would equate industrial mass-production processes with the de-skilling of the creative artistic process devaluing the individual perspective / concept and a way of promoting mass investment opportunities for a global art market.  The point of superficial cosmetics also investigates how industry and the media influence art in the quality of production and how art institutions adopt a quality of standards in other words promoting what the market dictates.